Adapting Lizzy Goodman's novel of the same name, Will Lovelace and Dylan Southern’s Meet Me in the Bathroom captures the essence of late-90s, early-2000s New Y...
This year's South by Southwest Film Festival, taking place March 11-20 in-person with select films available online, has unveiled its lineup. With 99 features,...
After providing coverage on nearly every feature premiering at Sundance this year and sharing our top picks, today we take a deeper look at our favorite shorts...
It would be a mistake to take the synopsis for Abed Abest's Killing the Eunuch Khan at face value. This is not a film about a serial killer in the generic sens...
Director Frauke Havemann's story about traveling into the woods with her dramaturg to discuss a new project at the onset of COVID-19 feels crucial to understan...
Lena Dunham’s Sharp Stick, her first feature since 2010’s Tiny Furniture, finds the writer-director again taking big swings with mixed results. Set in Los Ange...
With their latest feature together, DIY sci-fi directors Justin Benson and Aaron Moorhead continue to make the low-budget thrillers that have gained them a ded...
If you know Sinéad O’Connor’s name it’s likely two images come to mind: a buzzed head in a black turtleneck, a ripped-up photograph of Pope John Paul II. Kathr...
With nearly every feature film at the 2022 Sundance Film Festival reviewed, it's time to wrap up the first major cinema event of the year. We already got the o...
What can we glean from three minutes of film shot in 1938? This is the question driving Three Minutes — A Lengthening, an engaging essay film from director Bia...
