Cannes Review: Aya Affectingly Shows the Erosion of a Culture Through Climate Change
Living on the beaches of the Atlantic Ocean would be a dream to many. Not only is the view beautiful, but one's ability to live a simple life can often be a we...
Cannes
Cannes Review: The Innocents Explores Childhood Morality with Psychological Shocks
The Innocents, the assured sophomore feature from Eskil Vogt, is a prickly film about childhood morality designed to get under its audience’s skin. It quickly ...
Cannes Review: Compartment No. 6 is Richly Realized, Ultimately Uninvolving Finnish Drama
There are few things more aggravating than critics lazily comparing an emerging filmmaker to one of the best-known directors from their country, a shorthand to...
Cannes Review: Petrov’s Flu Delivers a Bewildering Fever Dream
Petrov’s Flu opens on a stuffy commute—a Moscow bus in the early years of post-Soviet Russia. The eponymous protagonist is already bent over a handrail, strick...
Cannes Review: Ryusuke Hamaguchi Delivers Again with Soothing Murakami Epic Drive My Car
It seemed inevitable that Haruki Murakami’s prose would find a way into the films of Ryusuke Hamaguchi. The director returns with Drive My Car, based on Muraka...
Jacques Audiard Returns with First Trailer for Cannes Premiere Paris, 13th District
After jumping into English-language work with the star-studded western The Sisters Brothers, Jacques Audiard is returning to his native country with a new dram...
Cannes Review: The French Dispatch is a Pleasurable Giddy Rush of Wes Anderson Delights
Scope around certain movie sites or Film Twitter and you may find reference to a slated upcoming DC comics adaptation title Justice League Dark—Guillermo del T...
Cannes Review: Evolution Falters But Shows Promise for Kornél Mundruczó
A triptych of interconnected stories form Evolution, which begins at the end of the liberation of Auschwitz, in 1945, skips forward to an apartment in Budapest...
Léa Seydoux Hits Crisis Point in Trailer for Bruno Dumont’s Cannes Selection France
It is, knowing Bruno Dumont, almost certainly a joke to have the premiere French actress of our time play a crisis-stricken character named France, but I don't...
U.S. Trailer for Apichatpong Weerasethakul’s Memoria Arrives with a Bang
Some years since Cemetery of Splendour has Apichatpong Weerasethakul returned, this time under two unusual conditions: in English and with a movie star before ...