After premiering at BAMCinemaFest last year, the feature directorial debut from the Reverse Shot team Jeff Reichert, Michael Koresky, and Farihah Zaman will...
De Lo Mio begins with a tidy visual metaphor: a man carefully opens many blinds to let light into a dark room. The three siblings in Diana Peralta’s debut featu...
The story of filmmaking in New York City is incomplete without consideration of the foreign-language films that are regularly made here. Such films—off the top ...
Where better than New York City to make a structuralist film? Cities are iterative, their street grids diagrams of theme and variation, and New York most of all...
Opening with the title card "Based on an actual lie," which has been adopted as the film's tagline, Lulu Wang's Sundance sensation The Farewell navigates th...
It is infrequent -- but not totally rare -- to come across a film where a singular, simple formal decision fully encapsulates the underlying ethos and intention...
A staple at on the independent film circuit for as much as his editing skills (Golden Exits, Listen Up Philip, Queen of Earth) as his astoundingly revelator...
The history of film critics contributing to or creating actual films is long and storied. From the groundbreaking works of Cahiers du cinéma writers that made u...
