The Film Stage - Page 980

Venice Review: ‘Sunset’ is a Masterful Drama Full of Captivating Ambiguities

"Let's see what's behind this." That's the very first line we hear in Sunset, László Nemes' masterful follow-up to his 2015 breakout Son of Saul, a daring debut...

First Trailer for Paul Greengrass’ ’22 July’ Captures an Unspeakable Tragedy

After one film this year about the 2011 Norway attacks, in which right-wing terrorist Anders Behring Breivik killed 77 in the worst attack in the country si...

Emma Stone, Rachel Weisz, and Olivia Colman Battle in Full Trailer for ‘The Favourite’

Following up The Lobster and The Killing of a Sacred Deer, Yorgos Lanthimos is back with Olivia Colman, Emma Stone, and Rachel Weisz. The Favourite follows ...

15 Films to See in September

Alongside festival favorites from earlier this year (and beyond) all the way up to films just debuting at Telluride, Venice, and TIFF, it's a strong start to a promising season for movie-going....

‘I Think We’re Alone Now’ Trailer: Peter Dinklage and Elle Fanning Have the World to Themselves

Plenty of stories have grappled with existential dread of the apocalypse or, plainly put, the end of the world. Movies like this often come as intense actio...

Steven Spielberg’s ‘Schindler’s List’ Gets New Trailer for 25th Anniversary Re-Release

In 1993, Schindler’s List, Steven Spielberg’s war epic about Oskar Schindler (Liam Neeson), a German businessman who helps thousands of refugees escape the ...

Exclusive Trailer for Gastón Solnicki’s ‘Introduzione all’oscuro’ Pays Tribute to a Late Cineaste

With an eye for indelible visuals like few other directors working today, Argentinian helmer Gastón Solnicki is returning to the Venice International Film F...

Venice Review: ‘Dragged Across Concrete’ Ushers in a Tamer S. Craig Zahler

Anyone transfixed by the hyper-stylized meathead triumph of blood and violence of Brawl in Cell 99 should be warned. Dragged Across Concrete, S. Craig Zahler’s ...

Venice Review: ‘At Eternity’s Gate’ is a Transfixing and Visceral Vincent Van Gogh Biopic

When Vincent Van Gogh stares at the flat southern France landscape in Julian Schnabel’s contemplative At Eternity’s Gate, what does he see? Cemeteries of dead s...

Venice Review: Mike Leigh’s ‘Peterloo’ is a Dense, Devastating Historical Drama

With all the toing and froing over Netflix and Lars von Trier in the lead up to this year’s Cannes Film Festival, Thierry Fremaux's remarkable decision to rejec...

News

Exclusive: Altered Innocence Acquires Restoration of Srđan Karanović’s Virgina for Fall Release

Japan Cuts Announces 2026 Slate Featuring Hirokazu Kore-eda, Gakuryu Ishii, Yoji Yamada & More

Alice Rohrwacher to Direct The Baron in the Trees; Next Film to Be Primarily Silent

Trailers

Cemre Paksoy’s Hands Are Tied In Trailer for Georgia Bernstein’s Sinister Sundance Favorite Night Nurse

Marcello Mastroianni Yearns In Trailer for 4K Restoration of Luchino Visconti’s White Nights

Exclusive Trailer for Greg Vrotsos’ Feature Debut Situations Follows a Journey of Love and Ambition in Los Angeles

Reviews

The Death of Robin Hood Review: A Portrait of the Outlaw as a Bald-Faced Lie

Tribeca Review: Here I’m Alive Is a Raw, Intimate Look at Messy New York Lives

I Am Frankelda Review: Mexico’s First Stop-Motion Feature Speaks Truth to Power

Features

New to Streaming: Blue Film, I Am Frankelda, It’s Dorothy! & More

The Best Movies Now Playing in Theaters

NYC Weekend Watch: Douglas Sirk in 3D, The Organizer, Body Double & More

Interviews

“The Hard Work Is In the Screenwriting”: John Sayles on Resourceful Filmmaking, James Cameron, and His TIFF Retrospective

The Currents Director Milagros Mumenthaler on Sensory Filmmaking, Motherhood, and Capturing an Internal State

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

Podcasts

The B-Sides of Goldie Hawn with Jen Johans

The B-Sides of Laurence Fishburne with Mitchell Beaupre

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

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