The Film Stage - Page 971

Venice Review: ‘Monrovia, Indiana’ is a Quaint, But Important Chapter in Frederick Wiseman’s Great Oeuvre

Veteran filmmaker Frederick Wiseman adds a quaint but important little chapter to his great oeuvre with Monrovia, Indiana. It's 143 minutes long, which is about...

The B-Side – Hugh Jackman

Dan Mecca and Gavin Mevius discuss the b-side to Hugh Jackman's career, specifically the films he made in between X-Men and X2....

Venice Review: ‘Sunset’ is a Masterful Drama Full of Captivating Ambiguities

"Let's see what's behind this." That's the very first line we hear in Sunset, László Nemes' masterful follow-up to his 2015 breakout Son of Saul, a daring debut...

First Trailer for Paul Greengrass’ ’22 July’ Captures an Unspeakable Tragedy

After one film this year about the 2011 Norway attacks, in which right-wing terrorist Anders Behring Breivik killed 77 in the worst attack in the country si...

Emma Stone, Rachel Weisz, and Olivia Colman Battle in Full Trailer for ‘The Favourite’

Following up The Lobster and The Killing of a Sacred Deer, Yorgos Lanthimos is back with Olivia Colman, Emma Stone, and Rachel Weisz. The Favourite follows ...

15 Films to See in September

Alongside festival favorites from earlier this year (and beyond) all the way up to films just debuting at Telluride, Venice, and TIFF, it's a strong start to a promising season for movie-going....

‘I Think We’re Alone Now’ Trailer: Peter Dinklage and Elle Fanning Have the World to Themselves

Plenty of stories have grappled with existential dread of the apocalypse or, plainly put, the end of the world. Movies like this often come as intense actio...

Steven Spielberg’s ‘Schindler’s List’ Gets New Trailer for 25th Anniversary Re-Release

In 1993, Schindler’s List, Steven Spielberg’s war epic about Oskar Schindler (Liam Neeson), a German businessman who helps thousands of refugees escape the ...

Exclusive Trailer for Gastón Solnicki’s ‘Introduzione all’oscuro’ Pays Tribute to a Late Cineaste

With an eye for indelible visuals like few other directors working today, Argentinian helmer Gastón Solnicki is returning to the Venice International Film F...

Venice Review: ‘Dragged Across Concrete’ Ushers in a Tamer S. Craig Zahler

Anyone transfixed by the hyper-stylized meathead triumph of blood and violence of Brawl in Cell 99 should be warned. Dragged Across Concrete, S. Craig Zahler’s ...

News

NYC Weekend Watch: Korean Cinema’s Celluloid Fever, Southland Tales, Gamer & More

The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno

First Look at Pascal Plante’s Red Rooms Follow-Up King’s Daughters Starring Sandrine Bonnaire

Trailers

Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

Isabelle Huppert and Delphine Seyrig Inhabit an Artist In Exclusive Trailer and Poster for Liliane de Kermadec’s Aloïse

The Rivals of Amziah King Trailer: Matthew McConaughey Leads Andrew Patterson’s Crime Thriller

Reviews

Cannes Review: Asghar Farhadi’s Parallel Tales Is an Ambitious If Tedious Take on Kieślowski

Cannes Review: Gentle Monster Is a Masterfully Performed Drama In the Aftermath of Betrayal

Cannes Review: With Club Kid, Jordan Firstman Announces Himself as a Director to Watch

Features

New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More

The Best Movies Now Playing in Theaters

NYC Weekend Watch: Kazuhiko Hasegawa, Pynchonesque, Max and Richard Fleischer, the Pusher Trilogy & More

Interviews

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

“Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

Podcasts

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

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