The Film Stage - Page 913

Cannes Review: ‘Matthias & Maxime’ is an Unnervingly Mute Study of Contrasts

Of the many labels Xavier Dolan’s Matthias & Maxime came attached with ahead of its Cannes premiere, few felt as apt as those that billed the Canadian’s eig...

‘Ma’ Review: Octavia Spencer is a Powerhouse in Messy Mutation of High School Horror

High school can be hell. Between peer pressures and hormones, it's a hotbed for drama, and it's no wonder films about teenagers remain ripe for the big screen. ...

Abel Ferrara’s 10 Favorite Films

With the U.S. release of Pasolini, the premiere of his new documentary The Projectionist at Tribeca, his new narrative film Tommaso bowing at Cannes, production...

A Fantastical Adventure Begins in First Trailer for Pixar’s ‘Onward’

While Pixar has been relying upon sequels to appease the box-office grosses demanded by their Disney overlords, thankfully it looks like the company is focu...

U.S. Trailer for ‘Our Time’ Finds Carlos Reygadas Getting Personal

For his latest film, Mexican director Carlos Reygadas looked inward, casting his own family in the 173-minute Our Time, set on a ranch as jealousy interrupt...

‘Rocketman’ Review: Elton John Biopic Swings for Truly Cosmic Fantasia

It’s difficult to not be impressed by Dexter Fletcher’s Rocketman in some form or other. It’s placed in a paradoxical position. In the wake of Bohemian Rhapsody...

New to Streaming: ‘Domino,’ Cannes 2019 Shorts, ‘Running with Beto,’ and More

All the newly streaming films of Netflix, HBO, Amazon, MUBI, and more....

NYC Weekend Watch: ‘Miami Vice,’ Jarmusch, ‘Safety Last!’ & More

The best films playing in NYC this weekend....

First Trailer for ‘Rambo: Last Blood’ Features Sylvester Stallone’s Final Stand

As he keeps the Rocky franchise going, Sylvester Stallone is also pumping blood into another one of his series: Rambo. Ever since the 2008 installment, he's...

The B-Side – Meg Ryan

Today, we celebrate America’s blonde-haired sweetheart and discuss Hanging Up, Proof of Life, Against The Ropes, and more....

News

James Gray’s Paper Tiger Sets North American Premiere as Opening Night of the 64th New York Film Festival

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

The B-Sides of Christopher Nolan with Blake Howard

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

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