The Film Stage - Page 908

BAMcinemaFest Review: ‘The Hottest August’ is an Expressive, Expansive Portrait of Summer in NYC

Where better than New York City to make a structuralist film? Cities are iterative, their street grids diagrams of theme and variation, and New York most of all...

Cannes Review: ‘Atlantics’ Captures the Migrant Crisis Through a Ghost Tale of Perturbing Beauty

Somewhere along the stretch of Senegalese coastline where Mati Diop’s feature-length directorial debut Atlantics takes place, a futuristic tower stands tall and...

Cannes Review: ‘Port Authority’ is a Quietly Radical, Deceptively Simple Romance

A deceptively simple romance doesn’t take away that there is something quietly radical at work in the New York love story Port Authority, set in the underground...

‘Rolling Thunder Revue’ Review: Martin Scorsese Playfully Returns to Bob Dylan’s World

Martin Scorsese has had a long, fruitful partnership with rock ’n’ roll as muse, subject, and accompaniment, and one thing at which he’s uniquely skilled is dra...

Anton Yelchin’s Enduring Legacy is Explored in the First Trailer for ‘Love, Antosha’

Anton Yelchin’s untimely death at the age of 27 almost three years ago shocked the world. From Chekov in the rebooted Star Trek franchise to his involvement...

Cannes Review: ‘Zombi Child’ is a Slow-Creeping Horror Satire

Bertrand Bonello’s last film, the terrorism-themed thriller Nocturama, hit headlines as it was released in the wake of Islamic State terror attacks in France. S...

Cannes Review: ‘Joan of Arc’ is Bruno Dumont’s Austere, Mystic Follow-up to ‘Jeannette’

When Jeannette world premiered in Cannes’ Directors’ Fortnight in 2017, Bruno Dumont’s acolytes were left grappling with a taxonomical head-scratcher. Lo and be...

Cannes Review: ‘Invisible Life’ is an Achingly Beautiful Tale of Sisterly Love

Karim Aïnouz’s Invisible Life is a tale of resistance. It hones in on two inseparable sisters stranded in–and ultimately pulled apart by–an ossified patriarcha...

Terrence Malick Begins Shooting New Film ‘The Last Planet’

Three years after production began, Terrence Malick finally premiered his World War II era drama A Hidden Life at Cannes Film Festival, which our own Leonardo G...

Posterized June 2019: ‘The Last Black Man in San Francisco,’ ‘Our Time,’ ‘The Chambermaid,’ and More

We explore the art of the month. June is here with a fantastic collection of poster designs from big studio pictures to small independents looking to standout against them....

News

Locarno Film Festival Unveils 2026 Lineup

Eleanor Coppola’s Documentary on the Making of Sofia Coppola’s Marie Antoinette Is Coming Soon

David Chase Sets LSD Film; New Updates on Quentin Tarantino, Wes Anderson, David Lowery, and Sacha Baron Cohen Projects

Trailers

Godzilla Minus Zero Teaser: Takashi Yamazaki’s Sequel Stomps Into Theaters This November

Hope Trailer: Na Hong-Jin’s Sci-Fi Thriller Arrives This September

Dakota Fanning and Jake Johnson Rethink Their Lives in First Trailer for Joe Swanberg’s The Sun Never Sets

Reviews

Remake Review: Ross McElwee’s Introspective Documentary Haunts with Humanity

Gail Daughtry and the Celebrity Sex Pass Review: David Wain’s Hilarious Ode to LA

Camp Review: An Absorbing, Dreamlike Journey of Finding Yourself

Features

15 Films to See at Japan Cuts 2026

New to Streaming: The Prisoner, Silent Friend, Obsession, Fiume o morte! & More

NYC Weekend Watch: 70mm Conspiracies, Immigrants, Spectres, Sherman’s March & More

Interviews

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Ross McElwee on Remake and the Painful, Profound Process of Making a Testament to His Son’s Life

Podcasts

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

The B-Sides of Goldie Hawn with Jen Johans

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