The Film Stage - Page 899

Giveaway: Win Jordan Peele’s ‘Us’ and ‘Get Out’ on Blu-ray

As the discussion continues surrounding Jordan Peele's Us, one can now take a deeper look at the socially-minded thriller as it now arrives on Blu-ray/DVD. ...

‘Queen & Slim’ Trailer: Daniel Kaluuya and Jodie Turner-Smith Go on the Run in Lena Waithe-Scripted Thriller

After quite a major last few years with Get Out, Black Panther, Widows, and Sicario, Daniel Kaluuya is back this fall, leading Queen & Slim, scripted by...

BAMcinemaFest Review: Dominican Drama ‘De Lo Mio’ Excels Where Words Fail

De Lo Mio begins with a tidy visual metaphor: a man carefully opens many blinds to let light into a dark room. The three siblings in Diana Peralta’s debut featu...

Review: ‘Toy Story 4’ Ends Pixar’s Flagship Series (For Now) on a Fine Note

It was said upon the release of Toy Story 3 that the franchise was done as far as Woody (Tom Hanks) and Buzz Lightyear's (Tim Allen) adventures were concerned. ...

‘Child’s Play’ Review: A Horror Remake More Intriguing Than Worthwhile

It's not every day we see a remake of a currently running franchise, but now there is Child's Play. While original screenwriter Don Mancini continues to advance...

The B-Side – Warren Beatty

Welcome to The B-Side, from The Film Stage. Here we explore movies from established stars that flopped at the box office, have been forgotten by time, or remain...

NYC Weekend Watch: Stonewall, Juleen Compton, Rohmer, Brakhage & More

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...

‘The Quiet One’ Review: Documentary on Rolling Stones Bassist Bill Wyman Is Intimiate to a Fault

Is it possible for a documentary about the Rolling Stones to be (gulp) boring? Probably not. There are, after all, endless stories of the brilliance, boldness, ...

‘Wild Rose’ Review: A Breakout Turn and Honest Script Elevate Overt Sentimentality

Tom Harper’s Wild Rose is a film whose fixation on authenticity is directly at odds with its own craft. A corrective to the recent spate of self-absorbed super...

The Ontology of Hot Guys is Debated in Exclusive Clip from ‘The Plagiarists’

A shot in the dark I expect to prove on-target: there will be no film (commercially released) this year at all like The Plagiarists, a lo-fi comedic whatsit...

News

Japan Cuts Announces 2026 Slate Featuring Hirokazu Kore-eda, Gakuryu Ishii, Yoji Yamada & More

Alice Rohrwacher to Direct The Baron in the Trees; Next Film to Be Primarily Silent

Cristian Mungiu’s Fjord Wins Palme d’Or: See Full List of Cannes 2026 Winners

Trailers

Marcello Mastroianni Yearns In Trailer for 4K Restoration of Luchino Visconti’s White Nights

Exclusive Trailer for Greg Vrotsos’ Feature Debut Situations Follows a Journey of Love and Ambition in Los Angeles

Reviews

The Death of Robin Hood Review: A Portrait of the Outlaw as a Bald-Faced Lie

Cemre Paksoy’s Hands Are Tied In Trailer for Georgia Bernstein’s Sinister Sundance Favorite Night Nurse

Tribeca Review: Here I’m Alive Is a Raw, Intimate Look at Messy New York Lives

Features

The Film Stage’s 2026 Tribeca Festival Portrait Gallery

NYC Weekend Watch: Italian History, Universal Westerns, Black Cops & More

Posterized June 2026: Maddie’s Secret, The Furious, Drunken Noodles & More

Interviews

“The Hard Work Is In the Screenwriting”: John Sayles on Resourceful Filmmaking, James Cameron, and His TIFF Retrospective

The Currents Director Milagros Mumenthaler on Sensory Filmmaking, Motherhood, and Capturing an Internal State

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

Podcasts

The B-Sides of Goldie Hawn with Jen Johans

The B-Sides of Laurence Fishburne with Mitchell Beaupre

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

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