The Film Stage - Page 803

Raffey Cassidy is Trapped in a Cult in Trailer for Małgorzata Szumowska’s The Other Lamb

If one is looking for some more female-led cult horror after last year's Midsommar, Polish director Małgorzata Szumowska has made her English-language debut wi...

Berlin Review: Gunda is a Spell-Binding Take on Animal Sentience

In 2018, Victor Kossakovsky set out to shoot Aquarela, a survey-symphony that took the Russian documentarian around the world to capture glaciers, waterfalls, ...

Berlin Review: Days of Cannibalism is a Harrowing, Profound Look at the Culture Wars in Lesotho

Two cultures clash as a wave of anti-immigrant rhetoric spreads over a country in Teboho Edkins’ profound documentary Days of Cannibalism, which focalizes the ...

15 Films to See in March

While November and December are often considered the months in which films of the highest-quality films arrive (as award season demands), one could easily make...

Tsai Ming-liang on His New Approach to Filmmaking and Why Days Doesn’t Need Subtitles

We have had the privilege of speaking with Taiwan-based filmmaker/master of slow cinema Tsai Ming-liang three times over the last four years (see here, here, a...

Exclusive Trailer for The Wolf House Introduces an Audacious Stop-Motion Feature Hailing from Chile

When it comes to the field of animation, many productions can often succumb to a certain sameness in their respective visual approaches. This is certainly not ...

Just Don’t Think I’ll Scream Trailer: Over 400 Movies Form a Deeply Personal Essay Film

After watching over 400 films in the span of just around four months, director Frank Beauvais reflects on his life and what led to this cinematic hibernation i...

Berlin Review: There Is No Evil is a Major Work of Iranian Cinema and a Testament to the Oppressed

Iranian director Mohammad Rasoulof won Cannes’s Un Certain Regard award in 2017 with his bruising, brilliant drama A Man of Integrity, which explored how an op...

Berlin Review: Margaret Qualley & Sigourney Weaver Can’t Rescue the Saccharine My Salinger Year

An aspiring twenty-something writer with a couple of poems in The Paris Review, Joanna’s just landed a gig at a New York-based literary agency. Working on othe...

Review: Matías Piñeiro’s Isabella is an Unassumingly Sumptuous Look at Self-Doubt

Women from Shakespeare’s oeuvre find themselves reincarnated in modern-day South America through the recent works of Argentine director Matías Piñeiro (Hermia ...

News

David Fincher’s The Adventures of Cliff Booth Sets Global IMAX Release This November

Leos Carax’s Annette Follow-Up Lily May B to Shoot Next Year with Jenna Ortega

The Criterion Collection’s August Lineup Includes James Gray, Todd Haynes, and More

Trailers

Exclusive Trailer for Bouchra Presents an Acclaimed, Personal Hybrid Animation

Sophie Thatcher and Charles Melton Lead First Teaser for Nicolas Winding Refn’s Her Private Hell

Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

Reviews

Tuner Review: An Entertaining, Conveniently Scripted Caper

Cannes Review: Andrey Zvyagintsev’s Minotaur Is a Fascinatingly Lopsided Drama

Cannes Review: Victorian Psycho Is Gothic Horror with Confidence and Verve

Features

The Best Movies Now Playing in Theaters

New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More

NYC Weekend Watch: Kazuhiko Hasegawa, Pynchonesque, Max and Richard Fleischer, the Pusher Trilogy & More

Interviews

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

“Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

Podcasts

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

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