Candyman is back. A sequel to Bernard Rose's 1992 horror feature, based on Clive Barker's short story The Forbidden, this new creation comes from the minds of...
The horrors contained in the new restoration of Come and See aren't enough for a viewer, another uncompromising World War II drama will be arriving later this ...
A cruise ship off the coast of Patagonia becomes a portal into the lives of others in Uruguayan director Alex Piperno’s stubbornly esoteric debut Window Boy Wo...
If one were to think of the cinematographers that defined the medium in the last decade, Sean Price Williams would be near the top. From his collaborations wit...
Succinctly potent like a concentrated shot of a mood-altering substance, Camilo Restrepo’s Los Conductos renders a Colombian portrait of a damaged soul reclaim...
Nina Hoss and Lars Eidinger, two of Germany’s preeminent acting talents, play twins coming to terms with a diagnosis of terminal illness in My Little Sister, t...
The Woman Who Ran opens on a lovely shot of hens. The camera then pulls back to show the garden of a middle-class apartment block where a woman named Youngsoon...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Michael Snydel, and Bill Graham reflect on the cinema of 2019 with our p...
A girl in a headscarf meets a boy in a mask while trying to shoplift from the corner store where he works. She is frustrated from living at home with an uncle ...
Early on in Straight Up, an obsessive-compulsive mixed-race millennial named Todd (James Sweeney) tries to furiously explain why he must stop dating men and fo...