It's been eight months since I've seen Garrett Bradley's poetic masterpiece Time at its Sundance Film Festival premiere, still reeling from its intense emotion...
The relationship between therapist and patient is always ripe for good storytelling. Justine Triet’s third feature aims to do just that, with a little bit of d...
One of the most successful genres in this strange year has been horror. The Invisible Man, Relic, The Lodge, She Dies Tomorrow, Amulet, The Rental, and La Llor...
After carving out an impressive, varied career in front of the camera (as well as a wealth of other artistic endeavors), Viggo Mortensen recently embarked on h...
There was recently a Twitter thread going around asking which director has never made a bad film. Among my picks was Claire Denis, and one of the highlights in...
One day, you will die. It may not be tomorrow––as the characters in Amy Seimetz's vivid, unsettling new feature She Dies Tomorrow believe––but it's a universal...
If you go on Kurt Kunkle’s Instagram, you will find stories filled with “pull yourself up by your bootstraps” American happy talk. Kurt leans in, and mostly fa...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
Welcome to The B-Side, from The Film Stage. Here we talk about movie stars and filmmakers and not the movies that made them famous or kept them famous, but the...
Filmmakers Jesse Moss and Amanda McBaine have a unique niche among documentarians: their work, together or apart, often involves liberal people in conservative...