The Film Stage - Page 725

The Father Trailer: Olivia Colman and Imogen Poots Cope with Anthony Hopkins’ Failing Mind

Living in his London apartment, 80-year-old Anthony (Anthony Hopkins) resists the care of his daughter, Anne (Olivia Colman). She’s off to live in Paris in a l...

TIFF Review: Wildfire Sets Sisters on an Existential Journey in North Ireland

The impending Brexit has pundits on television weighing the option of whether or not it will mean the return of a hard border between Ireland and Northern Irel...

New York Film Festival Goes Nationwide: 20 Films to See at the 2020 Edition

An annual celebration in the finest cinematic offerings, the New York Film Festival has been a treasure trove of the latest work from seasoned auteurs along wi...

TIFF Review: David Byrne & Spike Lee’s American Utopia is a Vividly Out-of-Touch Collaboration

David Byrne is little without his sense of humor. Of course there’s the musical prowess whose longevity persists from then-outré new wave to today’s classic-ro...

20th Anniversary Restoration Trailer for Wong Kar-wai’s In the Mood for Love

Get ready to swoon. We've been looking forward to the new restorations of Wong Kar-wai's greatest films for some time now, and after a pandemic-related delay, ...

Antonio Campos on What Makes Him Laugh and Crafting The Devil All the Time

It would've been improbable, ten years ago, to imagine the mind behind Afterschool directing a high-profile Netflix production marked minute-for-minute by reco...

Dick Johnson Is Dead Trailer: Kirsten Johnson Reflects on Life and Death in Sundance Winner

After her acclaimed directorial debut Cameraperson, Kirsten Johnson turned to her family once again for her follow-up. Dick Johnson Is Dead follows her relatio...

TIFF Review: 76 Days is a Staggering Look into the COVID-19 Outbreak in Wuhan

76 Days, from directors Hao Wu, Weixi Chen, and an anonymous filmmaker, is a heartbreaking work of documentary vérité investigating the emerging COVID-19 outbr...

Reinaldo Marcus Green on Good Joe Bell, Mark Wahlberg’s Dedication, and Filmmaking During the COVID-19 Crisis

Between his feature film debut Monsters and Men in 2018 and the forthcoming Richard Williams (Venus and Serena's father) biopic starring Will Smith, Reinaldo M...

The Film Stage Show Classic – Bad Lieutenant: Port of Call New Orleans (with Dom Sinacola)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Michael Snydel, and Bill Graham are joined by Dom Sinacola to discuss We...

News

Scout Tafoya and Tucker Johnson’s Stubborn Beast Begins Production

The Criterion Collection’s July Lineup Features The Elephant Man, Alice Doesn’t Live Here Anymore, and Mike Mills on 4K

Tony Leung Finds Earthly Connection in Exclusive Poster for Ildikó Enyedi’s Silent Friend

Trailers

Jinsei Trailer: A Century-Spanning Japanese Feature Crafted by a Single Animator

Idiots Red Band Trailer: Dave Franco and O’Shea Jackson Jr. Lead Macon Blair’s Comedy

Exclusive U.S. Trailer for Chie Hayakawa’s Cannes Selection Renoir, Opening This May

Reviews

Fuze Review: An Air-Tight, Relentless Thriller

Erupcja Review: A Fateful Romantic Timebomb Erupts

Blue Heron Review: An Astonishing Seance of Self and Film

Features

8 Films to See at MoMI’s First Look 2026

NYC Weekend Watch: Tina Aumont, Terry Zwigoff, Pauline at the Beach & More

New to Streaming: The Love That Remains, Magellan, Undertone, The Chronology of Water & More

Interviews

Faith in the Process: Pete Ohs on Erupcja, Charli XCX, and New Methods

“You Can’t Recreate a Reality”: Sophy Romvari on Blue Heron

David Lowery on Mother Mary, Beyoncé, and Transposing His Concerns Onto a Pop Icon

Podcasts

Josh Heaps on the DIY Horror of City Wide Fever

The B-Sides of Steve Martin with Eric D. Snider

Dolphins and Drugs: Michael Almereyda and Courtney Stephens on Capturing the Work of John Lilly

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