The list of things we wanted this year and did not get is too long and, frankly, despair-inducing to run down, so for the purposes of this article I'll localiz...
One of last year's best films would, by extension, prove a clear highlight of 2020 even if a normal theatrical climate persisted. Sneaking in just under the wi...
One of the last major films to be released this year comes from the prolific Steven Soderbergh, who just wrapped his next next film, the crime thriller No Sudd...
Sophia Loren earned her status as a cinema legend through her portrayals of women who were larger than life, yet specific enough, that we felt we might encount...
Cinematic representations of passion usually involve hot color schemes, sweaty images and fiery emotions, symbols of riveting and uncontrollable desire. In his...
The subject of married directing duo Maia Lekow and Chris King's The Letter isn't just one piece of correspondence. It's instead a type that's been gaining tra...
The Criterion Collection continues 2021 with a recently rediscovered classic, an established tenet of the conspiracy genre, a horribly underrepresented African...
You cannot stop Abel Ferrara. You should not try to stop Abel Ferrara—American (or wherever he can get funding) cinema still needs its uncompromising bravados,...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
Is attempting to pervert the happiest time of year still a fresh approach? No, but Fatman sure thinks so. Is putting folklore into our reality a good excuse fo...