Fifty years after his screenwriting debut via Sydney Pollack’s The Yakuza and a mere forty-six since his directorial debut with Blue Collar, Paul Schrader is s...
Christophe Honoré fans have much to celebrate this January. Ahead of his latest feature, the meta Chiara Mastroianni-led Cannes selection Marcello Mio, arrivin...
One of the few benefits of the awards race is Hollywood’s outpouring of materials associated with the contenders. Perhaps the biggest perk is the release of fu...
My friends at Pod Casty for Me––a show that began as a look at the films of Clint Eastwood before transitioning to a series on Paul Schrader––spoke to the latt...
Though we aim to discuss a wide breadth of films each year, few things give us more pleasure than the arrival of bold new voices. It's why we venture to festiv...
A premiere at Venice Film Festival last year, Tommaso Santambrogio's Oceans Are the Real Continents tells a trio of stories of migration, exile, and memory in ...
We're excited to exclusively announce a new initiative empowering Ukrainian filmmakers and amplifying their voices on the global stage. Roman Coppola's Decentr...
With imagery quite literally conjured from the deepest bowels of darkness, it’s clear why Nosferatu has been on the mind of Robert Eggers since he saw F. W. Mu...
Following up his debut feature Thief, Michael Mann embarked on The Keep, a supernatural horror thriller set in Romania during World War II that, amidst editing...
As 2024 comes to a close, much of the month will be dedicated to wrapping up the year in cinema with a plethora of year-end features (bookmark here for those),...