The Film Stage - Page 468

Tribeca Review: Wild Men Brings Dark Scandinavian Humor to a Flawed Portrait of Masculinity

A subject many artists are irrevocably drawn towards, we’ve seen numerous films capture different forms of masculinity over the decades. Recently, Wildlife fo...

Tribeca Review: My Heart Can’t Beat Unless You Tell It To is a Riveting Horror Family Drama

Landing somewhere between intense, realistic family drama and arthouse horror, Jonathan Cuartas’ My Heart Can't Beat Unless You Tell it To is an oddly moving t...

Todd Haynes to Direct Julianne Moore and Natalie Portman in May December

After his overlooked procedural Dark Waters, Todd Haynes is moving full steam ahead on a number of projects. He'll premiere his documentary The Velvet Undergro...

New to Streaming: The Amusement Park, Hong Sangsoo, In the Heights, City Hall & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...

The Power of Kangwon Province Review: Hong Sangsoo Serves Up Spirit-Devouring Situations in Newly Restored Second Feature

“I always make mistakes,” says the emotionally vulnerable Jinsook (Oh Yun-hong) toward the end of Hong Sangsoo’s The Power of Kangwon Province. While her confe...

The B-Side – In Conversation with Renny Harlin

Welcome to The B-Side, from The Film Stage. Here we talk about filmmakers! Not the movies that made them famous or kept them famous, but the ones that they mad...

Tribeca Review: Poser is an Equal Parts Charming and Dark Exploration of Delusion

If one wants their voice heard in the year 2021, start a podcast. So it goes for Lennon (Sylvie Mix), a poser with some delusional behaviors who lies to cultiv...

NYC Weekend Watch: Jane Campion, George A. Romero, La Piscine & More

After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we're delighted to announce the return of NYC Weekend Watch, our...

All Light, Everywere Director Theo Anthony on Research, Transparency, Power Structures, and Image-Making

Theo Anthony’s movies are meticulously researched but, in his opinion, if he’s done his job you won’t know it. His new project All Light, Everywhere is broken ...

First Look at Gaspar Noé’s Vortex, Among Additions to Cannes 2021 Lineup

Following up his love-it-or-hate-it Climax, director Gaspar Noé secretly shot a new film this past spring and it's among the additions to the Cannes Film Festi...

News

Criterion Collection’s February 2025 Lineup Features Paul Thomas Anderson, Jean-Luc Godard, Crossing Delancey & More

Exclusive: New Restoration of Queer Drama By Hook or By Crook Acquired by Altered Innocence for Spring 2025 Release

Tilda Swinton Says The Room Next Door May Be Her Last Film as New Trailer Arrives

Trailers

Pamela Anderson is The Last Showgirl in First Trailer for Gia Coppola’s Drama

Exclusive U.S. Trailer for Endless Summer Syndrome Unveils Provocative French Drama

Beatles ’64 Trailer: Martin Scorsese Captures the Band’s First Visit to America

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

New to Streaming: Megalopolis, Rumours, Look Into My Eyes, An Almost Christmas Story, and More

NYC Weekend Watch: The Limits of Control, Ealing Studios & More

The Best Movies Now Playing in Theaters

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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