For its first act, Till Death tries keeping things muted. S.K. Dale directs his cast to deliver lines as if they’re somewhere between whispering and talking; c...
Another year, another Quentin Dupieux oddity. While the specter of new work from "the guy who made a movie about the killer tire" has, perhaps, worn down in th...
Among the fall's more enticing studio options is The Many Saints of Newark, a long-anticipated, long-delayed Sopranos prequel-of-sorts—to hear co-writer David ...
As last year's Berlinale premiere The Woman Who Ran arrives in the U.S. next week—followed by his next film Introduction at the German festival earlier this ye...
We all look for signs and interpret them how we see fit, whether doing so is correct or not—and despite those so-called "signs" proving nothing but coincidence...
Though in production since March, Alejandro G. (née González) Iñárritu's Limbo—his first feature since 2015's The Revenant—has moved along rather quietly, its ...
Continuing their tradition (assuming La Flor and Dead Souls comprise a tradition) of epic-length arthouse fare, Grasshopper Film will release next month The Wo...
Let's start the week with some exceptionally good news: Screen Daily report Mia Hansen-Løve is about to wrap production on her new new feature One Fine Morning...
There's a nice quote in Abel Ferrara's 2014 film Pasolini: "The meaning of this parable is precisely the relationship of an author to the form he creates....
Greek tragedy echos through the modern-day Korean #MeToo movement in Ougie Pak’s Clytaemnestra. Made on the fly at an acting workshop in Greece, the film follo...