The Film Stage - Page 451

Ali Suliman Fights for His Family in Exclusive Trailer for Acclaimed Palestinian Drama 200 Meters

Before he's seen in Terrence Malick's The Way of the Wind––which will hopefully (maybe) arrive next year––Ali Suliman leads the acclaimed drama 200 Meters. Mar...

NYC Weekend Watch: A Confucian Confusion, Godard’s Passion, Angel’s Egg & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Film at Lincoln Center NYFF Revivals concludes with restorations of Edward Yang's A...

Halloween Ends Review: David Gordon Green’s Finale is a Condescending Misfire

Note: The following review contains spoilers for Halloween Ends. This time last year, while doing press for his rather dreadful Halloween Kills, director Da...

Guy Maddin on Restoring Tales From the Gimli Hospital, Being Rejected by TIFF, and Luis Buñuel

Canada’s weirdest filmmaker, Guy Maddin has crafted a body of work since the 1980s that first comes off as classical-cinema homage but, looked at deeper, is ra...

All the Beauty and the Bloodshed Trailer: Laura Poitras and Nan Goldin Combat American Evil

If it quickly emerged as a consensus-favorite doc of 2022, thank Laura Poitras: sometimes it takes a real filmmaker to rejuvenate collective interest. All the ...

The B-Side – Brian De Palma (with Chadd Harbold)

Welcome to The B-Side, from The Film Stage. Here we talk about movie stars and directors! Not the movies that made them famous or kept them famous, but the one...

Claire Denis on Shooting Sex, Society’s Morals, and John C. Reilly’s Cameo in Stars at Noon

Claire Denis has had a busy year. Her two films, Both Sides of the Blade and Stars at Noon, premiered at Berlinale and Cannes, respectively. Blade earned the S...

Chinonye Chukwu on Joy as Resistance, Therapy on Set, and the Vibrant Language of Till

With Clemency, Chinonye Chukwu was the first Black woman to win the U.S. Dramatic Grand Jury Prize at Sundance. Three years later she returns with another stor...

Safdies & Adam Sandler Confirmed to Reteam on New Film Shooting This Winter

Update: The film will be produced by Netflix, Deadline reports, and will likely be "set in the world of high-end card collecting." With Good Time being a ca...

Alice Diop on Saint Omer, Motherhood, and Psychodramatic Filmmaking

Alice Diop was never interested in the outcome. In 2016, the filmmaker attended the trial of Senegalese mother Fabienne Kabou, who walked to the beach in Berck...

News

James Gray’s Paper Tiger Sets North American Premiere as Opening Night of the 64th New York Film Festival

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Trailers

The Uprising Trailer: Andrew Garfield Leads a Rebellion for Paul Greengrass

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

The B-Sides of Christopher Nolan with Blake Howard

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

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