The Film Stage - Page 433

Doclisboa Review: Werner Herzog’s The Fire Within Offers Another Take on the Kraffts

Infamous had Capote, Antz had A Bug’s Life—the list goes on. Enter The Fire Within, Werner Herzog’s latest brush with nature’s extremities, and the second docu...

Thessaloniki Review: I Have Electric Dreams is a Visceral, Volcanic Two-Hander

Nothing catches fire in Valentina Maurel’s I Have Electric Dreams, but the atmosphere is so inflammable, the air so taut, everything could ignite at any moment...

New to Streaming: Armageddon Time, Triangle of Sadness, Something in the Dirt, Lucrecia Martel & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

Devotion Review: Jonathan Majors Shines in Entertaining, Inspiring Aviation Drama

Devotion adheres to the true story of Jesse Brown, the first Black Naval aviator. It’s a name many will be hearing for the first time. Adapted from a 2014 nove...

White Noise Cinematographer Lol Crawley on Noah Baumbach’s New Direction and Working with Bob Dylan

A major American filmmaker's take on one of the most "unadaptable" novels this side of the second World War has, no surprise, inspired debate. But wherever one...

Listen: Steven Spielberg & Paul Thomas Anderson Discuss The Fabelmans in 35-Minute DGA Conversation

Here's quite a Thanksgiving treat for you. With The Fabelmans expanding wide this week, the Directors Guild of America has shared a special conversation betwee...

Leonor Will Never Die Review: A Meta-Textual Journey Through Filipino Cinema’s Past

Martika Ramirez Escobar’s creative and inspired debut Leonor Will Never Die employs a narrative trick à la Spike Jonze and Charlie Kaufman’s Adaptation. The st...

Nicolas Winding Refn Returns to Denmark with First Trailer for Copenhagen Cowboy

After enjoying quite an embrace in the first half of the 2010s, Nicolas Winding Refn has moved from the world of theatrical features to telling more extended s...

First Teaser for David Lowery’s The Green Knight-Inspired Short Film, Which Will Never Be Released Online

Following The Green Knight, David Lowery spent the pandemic crafting another Disney reimagining, after directing the only worthwhile one yet, Pete's Dragon. Ah...

Blood Relatives Review: Noah Segan’s Vampire Tale Delivers Familial Drama and Genre Hijinks

As a vampire without American identification, you could say Francis (Noah Segan) is an illegal immigrant regardless of the fact he's lived in the country longe...

News

Cinema Guild to Unveil Otar Iosseliani Restorations This Summer

The Criterion Collection Announces Complete Stanley Kubrick 4K Set

NYC Weekend Watch: Masahiro Shinoda, Budd Boetticher in 3D, Carlito’s Way & More

Trailers

Will Poulter Navigates an American Crisis In First Trailer for Union County

Exclusive Trailer for Japan Cuts 2026 Highlights the Best of New Japanese Cinema

Sophie Thatcher and Charles Melton Traverse Giallo Underworld In Trailer for Nicolas Winding Refn’s Her Private Hell

Reviews

Camp Review: An Absorbing, Dreamlike Journey of Finding Yourself

Jackass: Best and Last Review: Knoxville & Co. Return for One Last Encore

Romería Review: A Personal Tale of Intergenerational Dissonance

Features

Posterized July 2026: The Samurai and the Prisoner, The Odyssey, Night Nurse & More

12 Films to See in July

New to Streaming: Blue Heron, I Love Boosters, Tuner, The Sheep Detectives & More

Interviews

Ross McElwee on Remake and the Painful, Profound Process of Making a Testament to His Son’s Life

Tamra Davis on Billy Madison, Half Baked, Watching Fellini and Coppola on Set, Bonding with Britney Spears, and The Best Summer

“There’s No Incentive for a Filmmaker to Retire”: Alex Cox on Returning With Dead Souls

Podcasts

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

The B-Sides of Goldie Hawn with Jen Johans

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