The Film Stage - Page 420

Skinamarink Director Kyle Edward Ball on Finding Terror in the Experimental and YouTube’s Avant-Garde Revolution

For five years, Canadian filmmaker Kyle Edward Ball’s YouTube channel “Bite-Sized Nightmares” has been showcasing shorts full of fuzzy video, distorted sound, ...

New to Streaming: Maya, 2nd Chance, Sick, Devotion & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

John Fink’s Top 10 Films of 2022

Following The Film Stage's collective top 50 films of 2022, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. Perh...

Are You There God? It’s Me, Margaret Trailer: The Edge of Seventeen Director Kelly Fremon Craig Adapts Judy Blume

After crafting not only one of the best coming-of-age films of recent years but directorial debuts as well with The Edge of Seventeen, director Kelly Fremon Cr...

NYC Weekend Watch: To Save and Project, Daddy Longlegs, Fred Ward & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Museum of Modern ArtAlways a highlight of the repertory year, To Save and Project highlight...

Exclusive Trailer for The Blind Man Who Did Not Want to See Titanic Follows an Impaired Movie Lover’s Suspenseful Adventure

A week before James Cameron's 1997 box-office behemoth returns to theaters, we'll see the release of an acclaimed festival favorite in which his Best Picture w...

News

James Gray’s Paper Tiger Sets North American Premiere as Opening Night of the 64th New York Film Festival

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Trailers

The Uprising Trailer: Andrew Garfield Leads a Rebellion for Paul Greengrass

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

The B-Sides of Christopher Nolan with Blake Howard

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

Read More

Skinamarink Director Kyle Edward Ball on Finding Terror in the Experimental and YouTube’s Avant-Garde Revolution

New to Streaming: Maya, 2nd Chance, Sick, Devotion & More

John Fink’s Top 10 Films of 2022

Are You There God? It’s Me, Margaret Trailer: The Edge of Seventeen Director Kelly Fremon Craig Adapts Judy Blume

NYC Weekend Watch: To Save and Project, Daddy Longlegs, Fred Ward & More

Exclusive Trailer for The Blind Man Who Did Not Want to See Titanic Follows an Impaired Movie Lover’s Suspenseful Adventure

Skinamarink Review: Impressionistic Indie Spooker Seeks Nostalgia, Finds Monotony

A Man Called Otto Review: Tom Hanks Leads a Remake with a Shallow, Small Heart

Nick Newman’s Top 10 Films of 2022

Jena Malone Uncovers Sins of the Church in First Trailer for Christopher Smith’s Consecration