If you know Sinéad O’Connor’s name it’s likely two images come to mind: a buzzed head in a black turtleneck, a ripped-up photograph of Pope John Paul II. Kathr...
With nearly every feature film at the 2022 Sundance Film Festival reviewed, it's time to wrap up the first major cinema event of the year. We already got the o...
A selection at Cannes, TIFF, NYFF, Busan, IDFA, DOC NYC, and many more, Payal Kapadia's directorial debut A Night of Knowing Nothing is one of my early favorit...
Following his serenely stunning drama Columbus, video-essayist-turned-director Kogonada headed to the future with After Yang. A gorgeous, moving drama about wh...
Writer-director Aly Muritiba said something very interesting about his new film Private Desert in the lead-up to its Venice debut. He spoke about a desire for ...
What can we glean from three minutes of film shot in 1938? This is the question driving Three Minutes — A Lengthening, an engaging essay film from director Bia...
Riotsville isn’t just a place. It’s an idea; a fiction written by the enforcers of order to “demonstrate the presence of a superior force.” Riotsville is porta...
Alice, the debut feature of writer-director Krystin Ver Linden, has a major pacing problem. Based on true accounts, it concerns Alice (Keke Palmer), a woman en...
With Sundance Film Festival now in the rearview, all sights are set on the Berlin International Film Festival when it comes to getting a new batch of the year'...
Dual, the third feature from writer/director Riley Stearns, follows a young woman named Sarah (Karen Gillan), who opts to be replaced with a “double” after fin...