Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Robyn Bahr, and Bill Graham count down their personal top 10 films of 20...
Big agriculture and a renewable energy company (of all people) threaten the livelihood of a Catalonian peach farming family in Alcarràs, Carla Simón’s latest s...
Winner of the Best Film award in Tallinn Black Nights festival as well as Bulgaria's official Oscar entry, Ivaylo Hristov’s fourth feature Fear is arriving in ...
Next month's MUBI lineup for the U.S. has been unveiled, with a major highlight being their recent release Lingui, The Sacred Bonds and more films from directo...
While my auteurist admiration for Robert Zemeckis has carried through even with his latest, widely-derided offerings, I can't say there's much excitement aroun...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...
Francis Ford Coppola has been developing his sci-fi epic Megalopolis for longer than most people reading this have probably been alive, but the gears have fina...
It's been six long years since the last film from South Korean master Park Chan-wook, The Handmaiden, but he's now poised to return this year with the mystery ...
Having only directed five films across thirty years, the wait for a new Baz Luhrmann feature is usually a long one. For his sixth feature, Elvis, this break ha...
The falsified myth of the overnight success is further solidified in jeen-yuhs: A Kanye Trilogy, a three-part, nearly five-hour documentary by Coodie & Chi...