The Film Stage - Page 336

Venice Review: Yorgos Lanthimos’ Poor Things is a Dense, Dizzying Showcase for Emma Stone

Bella Baxter––whose organic internal makeup I’ll leave to shocking reveal––was born an adult woman. The furiously beating heart of Yorgos Lanthimos’s new film,...

Venice Review: Hollywoodgate Examines What The U.S. Left in Afghanistan with Darkly Comic Results

If you witnessed the chaos unfold in Kabul airport two years ago, it probably won't come as much of a surprised to learn the US Army left a helicopter or two i...

NYC Weekend Watch: 70mm at the Paris, Paul Vecchiali, The Thin Red Line, ’60s Korea & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Paris TheaterThe Paris reopens with a new Dolby Atmos screen and a 70mm series featuring Pl...

Venice Review: Wes Anderson’s The Wonderful Story of Henry Sugar is a Heartfelt, Formally Audacious Ode to Storytelling

If the recent mushrooming of A.I. recreations and YouTube / TikTok parodies of Wes Anderson’s cinema serve any purpose, it’s to show that his ongoing allure is...

Posterized September 2023: Rotting in the Sun, Fair Play, Perpetrator & More

There are a lot of generic looking poster this month. I guess that's what happens when the big names are all existing IP whether it be Robert McCall, H...

New to Streaming: Astrakan, Perpetrator, Domino, The Last Voyage of the Demeter & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

Venice Review: Luc Besson’s Dogman Never Lives Up to Trashy, Deranged Potential

Whatever one may think of Luc Besson’s oeuvre, his films work best when they live up to their trashy potential. The director’s cinema is littered with all-out ...

MUBI Unveils September 2023 Lineup

MUBI has announced its lineup of streaming offerings for September, including the exclusive streaming premieres for Rebecca Zlotowski's Other People's Children...

12 Films to See in September

While our massive, 60-film fall movie preview gives a hint at what to expect this season, it's time to dive deeper into September. With films from Ethan Coen, ...

Fremont Director Babak Jalali on Finding Humor in Editing and His Love of the Hangover Trilogy

To characters in Babak Jalali’s Fremont, memories both serve an artistic purpose and function as nuisance to be dealt with. Unresolved experiences while servin...

News

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Eleanor Coppola’s Documentary on the Making of Sofia Coppola’s Marie Antoinette Is Coming Soon

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

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