South Korean director Seung-wan Ryoo's The Unjust is an entertaining, unwieldy crime thriller, throwing flawed cops, power-hungry prosecutors and vicious mo...

Academy Award-winning documentarian Errol Morris is known for fearlessly tackling controversy in his films, from Mr. Death: The Rise and Fall of Fred A. Leuch...

Paradoxes abound in Battlefield Heroes, a South Korean film showing at the New York Asian Film Festival. Even the title itself, an English slap-on as Americ...

What is the point of giving Zookeeper a rating? There really is none. The people who want to see it will see it, the kids who its aimed for will eat up the...

A Boy and His Samurai (Chonmage Purin/ちょんまげぷりん) follows a tried-and-true comedic formula: take someone from the past, stick them in the future, and laugh al...

Director Jonathan English leads the charge in Ironclad, an earnest action flick that aims to blend historical gravitas with gruesome battle damage. But once...

Last December I deemed Catherine Breillat’s postmodern Bluebeard one of my favorite films of the year. So I was eager to see what the quirky French director w...