The big budget sci-fi action spectacle Elysium, written and directed by Neill Blomkamp and starring Matt Damon, serves as a master class in how to make stupid l...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Screening The Smurfs 2 on the day of Ariel Castro’s sentencing, the film took on a whole aura of disturbing; we follow a smurf-napping of little blonde Smurfett...
By now, it’s fairly well understood that science fiction films, which were once among Hollywood’s most lucrative, beloved, and acclaimed productions, are somewh...
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we believe it's our duty to highlight ...
Clumsy and cute -- that’s my concise review of regular Sacha Baron Cohen collaborator Dan Mazer’s directorial debut I Give It a Year. It’s actually a perfect em...
What do you get when you throw forty-three million dollars at an unsuspecting bank-robbing duo comprised of a DEA agent and a Naval Intelligence Officer, both b...
Weddings are universally known as great fodder to run the gamut of human emotions and eccentricities. Between the idea of monogamy, the compiling of assets, and...
Paul Schrader’s Los Angeles has changed: the fast cars, smooth clothes, and electronically edged pop music of American Gigolo may survive, but are reworked and ...
In supposing that there’s entertainment to be found watching torture onscreen, a horror/thriller subgenre was created that emphasized it to “pornographic” heigh...