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[Review] Brick Mansions

A few months back I was watching a small indie thriller called Hours, and was surprised with a personal revelation; I’m going to miss Paul Walker in the movies....

[Review] The Machine

With so many writers and directors keen to give us a look at a future ravaged by an impending war between man and his creations, it's always a breath of fresh a...

[Tribeca Review] Alex of Venice

After working with Woody Allen, Noah Baumbach, Sam Mendes, Ben Affleck, and more, the perpetually employed Chris Messina has gathered a wealth of knowledge behi...

[Tribeca Review] Ballet 422

The seemingly endless hard work required to make it as a successful dancer demands tremendous dedication and determination if one is hoping to endure the art fo...

[Review] 13 Sins

How far would you go for the “right” amount of money? The very rich preying on the desperation of the poor is obviously not a new concept in fiction, but rec...

[Tribeca Review] Night Moves

For almost a decade now—or, since returning to the world of feature-length film she left behind with 1996’s Leaves of Grass—Kelly Reichardt has been making form...

[Tribeca Review] 5 to 7

Saccharine, overwhelmingly melodramatic and filmed with a glossy sheen, one is either quickly won over by the charms of the romantic drama 5 to 7 or simply turn...

[Tribeca Review] Life Partners

While it's not the most perceptive film exploring the diversity of the lesbian experience, Life Partners has several insightful comic moments that ring true. Th...

[Tribeca Review] Loitering With Intent

In the first moments of Loitering with Intent we learn that Dominic (Michael Godere) and Raphael (Ivan Martin) are struggling actor-writer types, working at a N...

[Tribeca Review] Goodbye to All That

Goodbye to All That initially provides us with little context, launching directly into what on the outside seems to be a functional loving marriage between Otto...