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[NYFF Review] Gone Girl

Something is wrong from the very first moments of Gone Girl, David Fincher's sinister, immensely entertaining tenth film and an adaptation of Gillian Flynn’s pu...

[Review] The Equalizer

It doesn’t really matter whether or not you recall the old CBS TV show on which Antoine Fuqua’s The Equalizer is based, because there’s very little similarity o...

[Review] Lilting

There's no better title for Hong Khaou's feature debut than the one given: Lilting. It describes the pacing and aesthetic as guilt and grief intertwine with mem...

[Review] Björk: Biophilia Live

Icelandic musician Björk has always been somewhat uncategorizable with a career that's uniquely evolved to the beat of her own electronic drum. There was the in...

[Fantastic Fest Review] Goodnight Mommy

As its moniker suggests, one never quite knows what to expect when it comes to secret screenings during Fantastic Fest. At times they can be highly-anticipated ...

[Fantastic Fest Review] V/H/S Viral

With a seemingly economical and swift production, the first V/H/S was an unexpected hit, and has now spawned two sequels. As short films usual have such a small...