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[Review] Horrible Bosses 2

Arriving to the cinematic Thanskgiving table like that chunky jello salad no one recalls asking for, Horrible Bosses 2 proves to be more of the same forced, unn...

[Review] A Most Violent Year

J.C. Chandor’s A Most Violent Year starts out on just the right moody note for a searing, low-level crime drama; a young oil truck driver is waylaid by thugs wh...

[Review] The Mule

Directors Tony Mahony and Angus Sampson's The Mule is not at all what one might expect. The marketing materials draw it up as a B-movie romp, something the invo...

[AFI Fest Review] Tu dors Nicole

It’s perhaps possible that the whimsical nature of Tu dors Nicole would be rather unbearable in the form of an American studio comedy, the kind that fills the a...

[AFI Fest Review] Over Your Dead Body

Perhaps in another version of Takashi Miike’s latest film (and his first to be receiving a proper US distribution deal since 2011’s 3D extravaganza Hari-Kiri), ...

[AFI Fest Review] Merchants of Doubt

Climate change deniers say a lot of ridiculous things, but there’s one specific straw man argument they frequently fall back on that is so insulting in its ridi...