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[Sundance Review] Aloft

A tough nut to crack, Aloft is a poetic drama exploring a rather abstract issue: that line between faith and the openly observable. Written and directed by Clau...

[Sundance Review] Tangerine

Like a bat out of hell does Tangerine begin, the new film from Sean Baker. Shot entirely on iPhones, this film has a very specific style and Baker is determined...

[Sundance Review] Strangerland

It’s not easy to watch a family disintegrate before your eyes. Kim Farrant’s directorial debut, the Aussie drama Strangerland, follows Catherine Parker (Nicole ...

[Sundance Review] I Am Michael

Sure to ignite many impassioned discussions,  I Am Michael tackles complex issues of sexuality and faith with a balanced view. The directorial debut of Justin K...

[Sundance Review] Knock Knock

With his tirelessly brutal movies, Eli Roth isn't for everybody. Hostel and Hostel II aren't exactly easy watches, but Roth does what he does well, even if it's...

[Sundance Review] Mistress America

Something happened to Noah Baumbach. The writer-director behind Greenberg, Margot at the Wedding, and The Squid in the Whale never once pulled a punch as a stor...

[Sundance Review] Nasty Baby

Sebastián Silva is a director who strives for the unexpected. Both premiering at Sundance a few years ago, Magic Magic and Crystal Fairy are wild movies, often ...

[Sundance Review] Ten Thousand Saints

Working in the tried-and-true coming-of-age drama with a focus on sex, drugs and rock-n-roll, Ten Thousands Saints, from directors Robert Pulcini and Shari Spri...

[Sundance Review] Dope

Dope opens with a sense of energy proclaiming that writer-director Rick Famuyiwa has something to say, and he's going to do it in his own particular way. Diffic...