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[Review] Trash

It's not every day that a three-time Oscar nominee for directing decides on a foreign language film to be his next project, but that's exactly what Stephen Dald...

[Hamburg Review] Neon Bull

From Blue Is the Warmest Color to Stranger by the Lake, from Pride to The Danish Girl, movies dealing with LGBT issues or characters have become ever more prese...

[LFF Review] In the Room

Love and lust across a century form the backbone of In the Room, the latest film from director Eric Khoo (Tatsumi, Be with Me). An anthology feature with five m...

[Fantastic Fest Review] Too Late

A seedy Los Angeles-set crime caper filtered through an Elmore Leonard novel is where you might find Dennis Hauck’s debut feature film Too Late. Presented out o...

[Review] Pan

The undeniable and frankly fatal issue with any prequel is that the audience knows walking in where the story must end. You don't see a movie called Dracula Unt...

[NYFF Review] Junun

Has the hype around a nearly wordless, 54-minute, India-set documentary ever been so high? This is what happens when Paul Thomas Anderson, a not-unpopular choic...

[Review] Room

Although no human can remember their entrance into the world, one can only imagine the rush of senses that would accompany such an introduction if one's brain c...

[LFF Review] Suffragette

Directed by a woman, written by a woman, and with a cast led by women, Suffragette opens the London Film Festival with the smashing of glass ceilings and shop w...