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[Review] Dough

Think of John Goldschmidt's latest film Dough (his first in the director's chair since 1987) as a cinematic peace pipe for race relations and religious zealots....

[Tribeca Review] The Ticket

In the land of the blind, the one-eyed man is king, which is one of the lessons that the protagonist at the heart of Ido Fluk’s moral thriller The Ticket learns...

[Tribeca Review] Check It

The Check It, like many other gangs, arrived out of necessity to protect their own. In the case of the Washington, D.C.-based gang which counts over 250 members...

[Review] Sworn Virgin

Laura Bispuri’s moving, fiery Sworn Virgin comes in a recent tradition of cinematic meditations on gender as a form of identity like Tomboy and All About My Mo...

[Tribeca Review] Little Boxes

With its picket-fence sameness and routine tedium making it a hot bed for deep-rooted repression -- at least as depicted in many a film -- the horrors of suburb...

[Review] A Hologram For The King

Even while it was in production, Tom Tykwer’s A Hologram for the King fostered a dual atmosphere of intrigue and questionability. After all, it was based off a ...

[Tribeca Review] Bugs

Somewhere between Jiro Dreams of Sushi and Food, Inc., at the intersection of culinary adventure and social justice, Nordic Food Lab’s head chef Ben Reade and l...

[Tribeca Review] Keep Quiet

Keep Quiet is a chilling and comprehensive documentary following the path to redemption – or a calculated political act – for Csanad Szegedi, a right-wing anti-...

[Tribeca Review] National Bird

Calling for a national conversation that we ought to be having on the use of lethal force, National Bird considers all sides of the program, from those pulling ...