Every year is a good year to admire Kiyoshi Kurosawa, whose filmography runs far and deep enough to essentially guarantee you've yet to discover something wond...
After many years of radio silence on Elaine May's Crackpot, a comedy starring Dakota Johnson that was planned to be the 92-year-old filmmaker's fifth and final...
After getting sucked into the Dwayne Johnson abyss of tentpole filmmaking, Jaume Collet-Serra is getting back to what he knows best: thrillingly calibrated B-m...
While Aardman creations Wallace and Gromit have seen their universe expanded with Shaun the Sheep films and even videogames, they haven't been prominent in a p...
Five years, the closest presidential election in Brazilian history, and one insurrection after her last examination of Brazil’s tumultuous socio-political sphe...
It's October, which means Criterion's already thinking about 2025. Their new year auspiciously starts with a 4K UHD release of Jean Eustache's magnum opus The ...
While there's a few more fall film festivals popping up in the next month, the major ones are behind us, which means we have a strong sense of the films to hav...
Timothy and Stephen Quay have developed an entirely unique style in the world of stop-motion animation: vigorously kinetic yet meticulously controlled; balleti...
Returning to Cannes Film Festival with her first narrative feature in eight years, Andrea Arnold's coming-of-age fable Bird brought together Barry Keoghan, Fra...
Robert Minervini’s The Damned begins with two wolves tearing into a elk carcass, ripping off its fur and chewing its intestines. This isn’t a nature ...