One of the most delicate, heartwarming films I saw at Sundance Film Festival earlier this year was Sally Aitken's Every Little Thing, which follows the journey...
In a revealing anecdote after the first screening of his latest biopic A Complete Unknown, James Mangold relayed the question posed to him by Bob Dylan: "So wh...
Our year-end coverage continues with a look at the best performances of 2024. Rather than divide categories into supporting or lead or by gender, we've written...
In the last couple years I’ve conducted two very long interviews with Rob Tregenza, whose journey through cinema comprises four independent features of stagger...
We're now finally just about a week away from the U.S. release of Brady Corbet's The Brutalist, which will roll out in NY and LA in 70mm engagements starting n...
"A cinematographer is a visual psychiatrist–moving an audience through a movie making them think the way you want them to think, painting pictures in the dark...
We've reached another year's end, so get ready for all the limited releases and qualifying runs primed for Oscar consideration as guild votes start pro...
One of our favorite traditions in best-of-the-year festivities is a lineup that tends to find a more interesting path than any guilds or critics groups. The wo...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
A little more attention's been given to individual songs from Queer than its star duo's score. Sinead O'Connor's Nirvana cover that opens the film; the actual ...