The Film Stage - Page 1126

Cannes Review: ‘Ismael’s Ghosts’ is a Disorienting, Exhilarating Drama

Pasolini included an “essential bibliography” in the opening credits of Salò, or the 120 Days of Sodom, proffering five philosophical titles by the likes of Rol...

Trailer for Matías Piñeiro’s Acclaimed Drama ‘Hermia & Helena’

A few years ago we explored the filmography of one of our most under-appreciated directors, Matías Piñeiro, and now he's back for what looks to be his most ...

A Refugee Gets a Superpower in First Trailer for Kornél Mundruczó’s ‘Jupiter’s Moon’

Most animal-related features in cinema today are geared towards offering up the cutest depictions imaginable for a family-friendly audience, but when White ...

Emma Stone and Steve Carell Square Off in First Trailer for ‘The Battle of the Sexes’

A chauvinistic goofball attempting to undermine the female population might strike a little too much of a chord in today's age, but a new sports dramedy dep...

Review: ‘Alien: Covenant’ is a Nihilistic Journey into Extraterrestrial Hell

The numerous financial forces that conspired to put Alien: Covenant on thousands and thousands of screens the world over have ensured that their investment will...

The Film Stage Show Ep. 241 – The Lure

We talk about the genre-defying Polish mermaid musical....

Final Trailer for ‘War for the Planet of the Apes’ Previews the End of a Trilogy

Although this summer will bring the ninth film in the Planet of the Apes franchise, 20th Century Fox is officially billing it at as "the culminating chapter...

Robert Pattinson Races Against the Clock in First Trailer for ‘Good Time’

A24 is still riding high after their big Best Picture win for Moonlight, and the distribution company shows no signs of slowing down. They just released The...

‘Leviathan’ Director Andrey Zvyagintsev Returns in First International Trailer for ‘Loveless’

Andrey Zvyagintsev's follow-up to his Oscar-nominated, Cannes-winning 2014 drama Leviathan is Loveless, co-written with creative partner Oleg Negin (also of...

Watch: First Clip from Michael Haneke’s Cannes Premiere ‘Happy End’

The Cannes Film Festival starts this week, which means it’s time for a slew of out-of-context film clips to begin filtering out into the web. Like this clip...

News

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Eleanor Coppola’s Documentary on the Making of Sofia Coppola’s Marie Antoinette Is Coming Soon

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

Read More