In a year of moral downfall in government and an overwhelming sense of despondency when looking at the dregs of humanity, leave it to Agnès Varda and JR to ...
Lynn Shelton's latest film, Outside In, offers what you might expect from a screenplay co-written by mumblecore vet Jay Duplass and the director herself. The dr...
Paul Schrader has been open about the original intentions for his most famous work, the screenplay to Martin Scorsese’s Taxi Driver. Writing it in the vein of R...
The Room, a film produced, directed, written, and led by “entrepreneur” Tommy Wiseau, was supposed to be his grand artistic statement. What turned out instead w...
I can't really be held accountable for believing that the combined efforts of legendary German auteur Wim Wenders, Academy Award-winner Alicia Vikander, and the...
"A psychological thriller directed by Roman Polanski and co-written by Polanski and Olivier Assayas – elevator pitches don’t get much more promising than th...
It was only a matter of time. Sooner or later, a movie would break one of us. This week on the Film Stage Show, Michael, Bill, and I sit down to talk about moth...
It was always funny to think of Ted Kennedy as "the other Kennedy." How could you not? Despite his long tenure as Massachusetts Senator, he wasn't "anointed" li...
The world doesn't need another film about an irredeemable artist who forsook his wife and child for his art only to begrudgingly (and fearfully through too many...