The newest thriller from directors Hélène Cattet and Bruno Forzani, Let the Corpses Tan – also known by its French title Laissez bronzer les cadavres – now ...
From acclaimed Korean director Park Hoon-jung (New World director, I Saw the Devil writer), Witch is the newest addition to his line-up of action-thriller f...
The Workers Cup, which initially premiered at the 2017 Sundance Film Festival, now has its first trailer ahead of a fitting theatrical debut timed to the 20...
Having just won the Palme d'Or for his previous film, Winter Sleep, it was likely the jury wasn't going to give Nuri Bilge Ceylan the same prize for his new...
Following its competition premiere at the Cannes Film Festival earlier this month, Jia Zhangke’s female-centered crime/romance drama Ash is Purest White has...
Jacques Audiard has been a mainstay at the Cannes Film Festival for some time, so we were surprised when his upcoming dark comedy-meets-neo-noir western The...
Bruno Dumont – the French auteur director of acclaimed films Ma Loute, Hors Satan, Flandres, L’Humanite, La Vie De Jésus, and Jeannette, l'enfance de Jeanne...
“En la comunidad hay poder. En los números hay fuerza.” Translated to English, this line means “There’s power in community. There’s strength in numbers.” Sp...
One of the best films I saw at Sundance Film Festival this year was Wildlife, the directorial debut of Paul Dano. Starring Carey Mulligan, Ed Oxenbould, Bil...
After winning the Oscar for his austere drama Ida, Paweł Pawlikowski returned this year, premiering his latest film Cold War at the Cannes Film Festival, wh...