Premiering at last year's TIFF in its Midnight Madness section, Keith Thomas' horror feature The Vigil takes place over the course of a single evening in Brook...
The first film I saw when Metrograph opened a few years back was a first-time viewing of Tsai Ming-liang's Goodbye, Dragon Inn on 35mm, so it's a bittersweet f...
Closing out the 58th New York Film Festival this past fall was Azazel Jacobs' French Exit, a drama which pairs Michelle Pfeiffer and Lucas Hedges as mother and...
After carving out an impressive, varied career in front of the camera (as well as a wealth of other artistic endeavors), Viggo Mortensen recently embarked on h...
One of the early must-see films of 2021 is The Reason I Jump, which picked up an Audience Award at Sundance Film Festival earlier this year and has gone on to ...
While they have a number of notable films before the year closes out, Netflix has now begun revealing their January line-up. The first trailer for Simon Stone'...
Last month, the engrossing, enraging, and stupefying documentary Totally Under Control by Alex Gibney illuminated the incompetence and delays that plagued the ...
An official selection at TIFF, London Film Festival, New Directors/New Films, and more, as well as France’s official selection for the 93rd Academy Awards, Two...
Over the next few months, we'll be seeing a handful of late-breaking dramas vying for awards attention considering the delayed eligibility periods for the Osca...
This summer, some blowback was stirred up when the first images from Studio Ghibli's first fully 3D CGI animation arrived. Earwig and The Witch, Goro Miyazaki'...
