Pablo Larraín (Post Mortem) has achieved something spectacularly unique with No, his beta-max rendition of the 1988 referendum vote in Chile concerning dictator...
After making big waves with his Dogme classic The Celebration in 1998, Danish filmmaker Thomas Vinterberg has made a handful of flawed and underseen films, whet...
Opening and ending with speeches about these United States and the sameness of our promised land, writer/director Andrew Dominik paints his America with blood a...
After watching Antiviral, the debut feature film from Brandon Cronenberg, there is a sense that the young filmmaker has been influenced by a myriad of different...
Xavier Dolan last hit the scene with Heartbeats, his second feature and stylish pseudo-remake of from the 1960s. Writing, directing and also starring in the pr...
Sports in films have been a cultural celebration, predating Leni Riefenstahl’s Olympia also owing its linage to Thomas Edison’s early experiments in motion. Cro...
In their hit song, "Hey Jealousy," the Gin Blossoms suggest that if “you don’t expect too much from me, you might not get let down.” I admit I approached What t...
There is a certain indescribable manner in which Michael Haneke is able to lure you into his films that leaves you in a state of both shock and awe. It's everyt...
Romanian filmmaker Cristian Mungiu is undoubtedly a Cannes darling, with his debut feature film Occidental having premiered in the Director's Fortnight in 2002 ...
In this third installment of the massively popular Dreamworks children's franchise Madagascar 3, the director trio team of Eric Darnell, Tom McGrath and Conrad ...
