John Hillcoat's Lawless, with its Tommy guns, tilted fedoras and backwater blues, is certainly the most American film to show at Cannes in some time. It's the 1...
Matteo Garrone's Reality never becomes the vicious criticism of unearned fame and non-stop television one might expect from the man who revived the mafia pictur...
With each new film, Michel Gondry falls further and further away from his Charlie Kaufman-scripted opus, Eternal Sunshine of the Spotless Mind. Here in Cannes w...
Screenwriters Erich and Jon Hoeber actually made paying Hasbro a boatload of cash for their seemingly-unnecessary board game property a relevant story point in ...
American Animal exists within the crazed psyche of Matt D'Elia, which is appropriate because he's the star, the writer, the director, the co-editor and also one...
In Jacques Audiard's follow-up to the internationally-acclaimed and Oscar-nominated A Prophet, the French filmmaker decided to adapt a short story collection by...
Political debates can be well worth the time and aggravation they take up, both educating and challenging each participant to think about important topics in ne...
The Dictator certainly sounds like a great idea. Gifted character actor Sacha Baron Cohen inhabits the grandiose, pompous, and ridiculous mantle of a third-worl...
In Wes Anderson's seventh film Moonrise Kingdom, the quintessential quirkiness that's made the filmmaker a household name is in full effect. Unlike his last liv...
Dark Shadows is a strange breed of film. This adaptation of the cult soap opera show is not as stylishly bizarre as one might expect. Quite the opposite, in fac...
