Director John Crowley is a man with a good eye for picking dynamic screenplays. His feature film debut Intermission is a fun Irish romp, while his sophomore eff...
Only a 1927 novel can get away with its titular character yearning for a marriage built on land and stability instead of love for no other reason than to quiet ...
Screen Gems ought to have waited to release The Mortal Instruments: City of Bones in early September while the critical world was distracted at the Toronto Inte...
If people didn’t know about the 90-mile expanse of Caribbean waters between Havana, Cuba and Key West, Florida before Elián González in 1999, they certainly did...
As The Grandmaster wheels into its third act and the star-crossed male & female of a decades-old unrequited love begin their final exchanges, Wong Kar-wai m...
Actor-turned-director Jeff Chamberlain’s Abandoned Mine is harmless enough, which is a major letdown considering this is a horror/thriller. The premise is simpl...
The romantic comedy is derivative as a point of fact—there are only so many ways an unsuspecting boy and girl can meet and thaw before falling desperately in lo...
It only seems appropriate that I reviewed a romantic comedy yesterday where I posited its derivativeness to be a direct result of the genre simply having been e...
We’re all human beings. I think this is the message writer/director Chad Hartigan shares in his sophomore effort This is Martin Bonner. We make mistakes, we pay...
Jobs is the kind of biopic that I arrive at with baggage; while I did not personally know Steve Jobs, I’ve been a follower of his life, from his famous product ...
