Texas possesses a uniquely American mystique defined by guns, shoot-from-the-hip politics, and a still wild frontier. The country and its proud people must seem...
To answer the title's question—Can a Song Save Your Life?—writer/director John Carney says "yes." A song can save someone from jumping off a subway platform and...
Comically dry like director Richard Ayoade's debut, Submarine, his sophomore effort takes more than a few steps towards an even more arid realm of complete exis...
There is something relatable to the awkwardly genuine smiles of two introverts connecting with an acquired humor, made funnier by the fact everyone around them ...
On paper, a biopic of Jimi Hendrix without the rights to his music seems like a complete waste of time. Even with John Ridley's All Is by My Side detailing the ...
The draw of Catherine Breillat's newest, autobiographical film, Abuse of Weakness (known as Abus de faiblesse in its native tongue), is ultimately to watch how ...
I'm not one to condone illicit drug use, but you might want to take something if it's available before sitting down to watch Asphalt Watches, since its animated...
The Irish documentarian and film critic Mark Cousins has been making headlines for the past two years after his massive, colossally ambitious The Story of Film:...
As the end credits rolled during TIFF's first press and industry screening of Steve McQueen’s 12 Years a Slave, a peculiar thing occurred: very few people moved...
How do you stretch having thirty days left to live into seven years? You put in the work. Ron Woodroff (Matthew McConaughey) didn’t journey towards opening up t...
