Being in the right place at the wrong time is a fundamental issue in Copenhagen, and it’s one that I feel completely in tune with. I’ve gone through issues of t...
With a title of Transcendence the promise of mind-bending science-fiction is apparent before one sees a frame of the film. Too bad then, that Wally Pfister’s ne...
The story of Eric Lomax began as one of great misfortune, only to became extraordinary because of the forgiving choices of the man at its heart. A British signa...
I learned something while watching Zack Parker's horror (though psychological thriller is a more apt genre label) film Proxy: Richmond, Indiana is a hotbed for ...
The latest cockumentary, The Final Member has somewhat grander ambitions than Brian Spitz’s quest UnHung Hero, where a size-conscious fellow attempts to unzip g...
Cuban Fury mostly delivers the kind of funny, silly and delightful comedy as you’d expect from something “based on an original idea” by Nick Frost, best known a...
There is something appealingly ambiguous about the story at the heart of Hateship Loveship. It goes through the paces and hangs itself on the narrative framewor...
Why do so many kid-friendly animated series race ahead in their character’s histories so they might tell stories about reluctant parents? When fashioning an eng...
Kevin Costner built his career as a movie star on one American Pastime. With Draft Day, directed by Ivan Reitman, we get the aged actor's continued attempt at a...
A sort-of counter-balance to Steve McQueen’s 12 Years a Slave, The Retrieval is the story of Will (Ashton Sanders) on the run from, and in collaboration with, w...
