Reviews

[Review] Beneath the Harvest Sky

A movie doesn't always have to be one hundred percent unique to prove effective if those involved propel it above cliché through authenticity. Writer/directors ...

[Tribeca Review] A Brony Tale

Like many, I learn about my subcultures from The Howard Stern Show, which had sent a correspondent to cover this year’s BronyCon, an annual fan convention for f...

[Review] The Quiet Ones

It may be called The Quiet Ones, but the latest supernatural offering from revamped Hammer Studios is anything but. John Pogues would-be chiller may not raise t...

[Review] The Amazing Spider-Man 2

Despite being flat, faceless, and altogether perfunctory, one can almost understand The Amazing Spider-Man's commitment to set up this superhero universe once a...

[Tribeca Review] Summer of Blood

A micro-budget midnight selection, Summer of Blood seems, apart from several contemporary references, an indie of another era. Written, directed and starring On...

[Tribeca Review] Virunga

Employing multiple modes of documentary storytelling, from talking heads, undercover reporting and on-the-ground war reporting, Virunga is a potentially paradig...

[Review] The Other Woman

The Other Woman is one of those lame comedies that pretends allegiance to the female demographic but spends most of its time toiling around in sub-moronic, play...

[Review] Gambit

In November 2012, a film called Gambit, starring Colin Firth and Cameron Diaz, was released into theaters in Britain. It grossed less than $2 million in the UK ...

[Review] Brick Mansions

A few months back I was watching a small indie thriller called Hours, and was surprised with a personal revelation; I’m going to miss Paul Walker in the movies....

[Review] The Machine

With so many writers and directors keen to give us a look at a future ravaged by an impending war between man and his creations, it's always a breath of fresh a...