While mostly delightful, yet not terribly insightful, Cantinflas is a warm and nostalgic look at the business of show, including one instance where the Golden A...
Although incantations and intimations of the arcane spring to mind when considering the title of the new Brothers Dowdle thriller As Above, So Below, the film’s...
After mysteriously withdrawing from Cannes a few months back, Fatih Akin's The Cut lands at the Venice Film Festival as one of the highest-profile titles in the...
With Prince Avalanche and Joe (also competing for the Golden Lion in Venice) audiences could feel very comfortable in their newly-repositioned set of expectatio...
A few brain cells short and a handful of years too late, The November Man arrives in theaters, the longtime passion project of former James Bond player Pierce B...
Ramin Bahrani made a name for himself with three independent films over the last decade, focusing on humanity's daily struggles, reinvented foreign lives in Ame...
When sitting down to watch The Look of Silence – Joshua Oppenheimer's follow-up to 2012's harrowing The Act of Killing – you're struck by how quickly you can sl...
You don’t have to be familiar with the films of Mario Bava, Sergio Martino, Paolo Cavara, or even Dario Argento to appreciate The Strange Color of Your Body’s T...
Kicking off the 71st edition of the Venice Film Festival this morning, Alejandro González Iñárritu's Birdman has all the markings of a great festival opener: it...
Winter in the Blood is the sophomore effort from twin directors Alex and Andrew J. Smith, who first gained notoriety more than a decade ago with their debut fea...
