Veering between dark comedy and somber drama is a flavor of the times in indie film, but Prevenge puts a new spin on this, tying those emotional shifts more dir...
Making a film often requires one to exhibit behaviors therapists associate with BPD (Borderline Personality Disorder), which is territory the filmmaker Rebbie R...
You can't take it with you. It's a saying we’ve all heard that leads some to donate charitably, others to invest in real estate, and more to siphon offshore for...
When I consider The Comedian, I’m hard-pressed to articulate just what the movie is. It feels as though over the course of the production, whatever point it was...
Pleasant, if not completely convoluted with too many characters and not enough development with any, the family ensemble comedy Almost Christmas is well-meaning...
Eighteen years after Bulworth and fifteen after Town & Country (his last time directing and acting for a feature film respectively), Warren Beatty returns t...
Monster movies are tough because there's a desire to go full bore into cat and mouse chaos or metaphorical symbolism. Things get muddled when both are attempted...
If you've seen writer/director Erik Reese's debut Train to Stockholm—a personal, introspective drama—the thought of him helming a down and dirty Nevadan desert ...
To hear about Gary Faulkner is to know the meaning of the phrase "stranger than fiction." This is a Chatty Cathy of a Colorado handyman who was visited by God o...
In 2016, I Am Not Your Negro is perhaps destined to be tethered to other recent pieces of racially charged social advocacy, 13th and OJ: Made In America, but Ra...
