Antoine Olivier Pilon has a naturally defensive presence. Previously the breakout from Xavier Dolan’s caustic melodrama Mommy, his body language is less reactio...
If you went to a Regal Cinema during the month prelude to The Legend of Tarzan's release you will know the insane statistics depicting the sharp decline of livi...
In the early minutes of Chinese director Yang Chao’s sophomore feature, a fish is thrown into a bowl of water somewhere along an anonymous riverbank, darkened w...
With only a solitary passing mention of The Avengers, Doctor Strange is as stand-alone an adventure as we will get from Marvel -- prior to a mid-credits sequenc...
In the wake of Noah Baumbach and Jake Paltrow's wonderful De Palma, a documentary concerning the life and career of director Brian De Palma, it's difficult to l...
It's appropriate that the act of illusion plays such a central role in Inferno, for the film itself spends a lot of time masquerading as though it's something l...
Oliver Stone. That’s the filmmaker who should have been asked to chronicle the career of Oasis, the hugely successful, ever-combustible, now-departed kings of B...
André Øvredal’s last feature, the monster mockumentary Trollhunter, was thrillingly irreverent -- a cruelly funny movie that turned Norwegian mythology into a r...
There are only so many iterations of the haunted house trope and yet they continue getting made. Sometimes we're lucky with James Wan's The Conjuring series del...
Before David Lynch was a filmmaker, he was a struggling painter, whose lifeblood was to “drink coffee, smoke cigarettes, and paint." That’s what he dubbed "the ...
