“I’m gonna make some weird shit.”
So says Peter Quill a.k.a. Star Lord a.k.a. not-Han-Solo (Chris Pratt) two thirds into Guardians of the Galaxy Vol. 2, and ...
Opening with a voice-over explaining how a recent University of Toronto graduate went from surveying supermarket clerks about display placements to a becoming a...
Set in an familiar and ambiguous time and place (mid-90s in anytown USA), Super Dark Times functions as a kind of trojan house until its twist. Delivering horro...
Early in Afterimage avant garde artist Władysław Strzemiński sits huddled in a cramped apartment painting. When his only light source is blocked by the red of a...
Perhaps not all films are suited for the Duplass brothers treatment. Take Me, an amateurish directorial debut from actor Pat Healy, working from a script by Mik...
There’s a moment late in Camilla Hall’s Copwatch when a rare officer of color from the Ferguson Police Department engages a group of copwatchers, a term used fo...
After his mother dies, teenaged Bo (Jacob Latimore) is left to look after his little sister Tina (Storm Reid), which not only thrusts him into sudden adulthood,...
When it comes to documentary filmmaking, the issue of perspective is often of paramount importance. A great deal of sensitivity and tact is required in telling ...
Like an extended episode of Black Mirror but without a dark sense of humor or bleak horror, The Circle wails about how technology is affecting society with litt...
It's taken ten years, but Secretary director Steven Shainberg has finally followed-up Fur: An Imaginary Portrait of Diane Arbus. The result is Rupture, a body h...
