The worst choices for festival competition aren’t necessarily the worst films. Those which aim too high, go too far, try too hard often end up making a complete...
As the ice flows thaw in the 24-hour daylight of a northern Norwegian summer, so too does the relationship of a father and son in Thomas Arslan’s Bright Nights,...
Liberalism will eat itself! At least according to The Party, that is, and we’re not just speaking figuratively. Indeed, at one point in Sally Potter’s new film ...
There's universality to Mathieu Denis and Simon Lavoie's Those Who Make Revolution Halfway Only Dig Their Own Graves, even if it is very much a Québécois film. ...
British filmmakers have a recent habit of bringing about canonical additions to UK queer cinema with their debuts. Andrew Haigh’s heartbreaking romance Weekend ...
With this visually and conceptually startling debut from Eduardo Casanova, the question of how John Waters and Pedro Almodóvar’s love child would fare as a film...
Enough footage of Alberto Giacometti exists to suggest that Geoffrey Rush is quite uncanny as the renowned surrealist sculptor in Final Portrait, a depiction of...
You can never have too much Isabelle Huppert, but in Barrage, the legendary actress plays a supporting role that perhaps shows you can have too little. It’s a g...
It’s one thing to give your movie a title as sweepingly ambitious as On Body and Soul, but quite another to deliver something equally transcendent. With this co...
There’s much to talk about over The Dinner, a rather cold and over-flowing plate of black comedy and moral conundrums that leaves one with a certain sinking fee...
