Marcus Lindeen’s documentary The Raft boasts such a compelling story that it could have easily coasted on its trove of archival materials. In 1973, Mexican anth...
In The Climb–as occasionally in life–friendship can be an uphill struggle at the best of times. So how about the worst?
Michael Angelo Covino’s auspicious feat...
It’s the end of an era. With the recently-completed transition of 20th Century Fox and all its various IP licenses to the Walt Disney Company–Hollywood’s very o...
Illumination missed the boat on The Secret Life of Pets because the way they've told these stories thus far make them a lot more conducive to television than ci...
There is such a clear disdain for the human element in Godzilla: King of the Monsters, one wonders if there wasn't a way to make this sequel with monsters alone...
Of the many labels Xavier Dolan’s Matthias & Maxime came attached with ahead of its Cannes premiere, few felt as apt as those that billed the Canadian’s eig...
High school can be hell. Between peer pressures and hormones, it's a hotbed for drama, and it's no wonder films about teenagers remain ripe for the big screen. ...
It’s difficult to not be impressed by Dexter Fletcher’s Rocketman in some form or other. It’s placed in a paradoxical position. In the wake of Bohemian Rhapsody...
Ken Loach’s follow-up to his Palme d’Or-winning I, Daniel Blake is a masterful indictment of the strain of out-of-control capitalism that has dug its heels into...
Even more than his studio-dominating, awards-securing, and fiercely independent (or so the canonized story goes) New Hollywood contemporaries, it could be...
