Hiroyuki Imaishi is–in the very best way–one of animation’s finest ambassadors of ADHD. His 2004 directorial debut, Dead Leaves, is a masterpiece of sci-fi acti...
Directed by Mahnaz Mohammadi (her feature fiction debut) and written by Mohammad Rasoulof (a renowned Iranian filmmaker), Son-Mother is about exactly what its t...
Heinrich Senft (Heinz Trixner) is alone on his little patch of land within a gated senior citizen community, his pension sustaining ready-made meals and the car...
After more than a decade, writer-director Rob Zombie returns to finish his sadistic Firefly Family Trilogy, reanimating their spree of murder and mayhem after H...
Despite the title of Garin Hovannisian's documentary on Armenia's 2018 "velvet revolution" being I Am Not Alone, journalist/activist/Congressman Nikol Pashinyan...
You have to give credit to any story that allows its despicable characters to be despicable without also demanding forgiveness from their victim. This is especi...
There’s a fundamental rule with horror films that rarely gets followed: loud doesn’t equal scary. Sound should be seen as a tool used to build tension and stren...
I’m not going to mince words here: Lucy in the Sky is a terrible film. It’s a disaster, a fiasco, a complete tragedy. It’s the kind of film that will have peopl...
Quentin Dupieux’s Deerskin can essentially be summarized as Divorced Guy Energy: The Movie. A ribbing of masculinity that alternates between bone-dry and morbid...
It's hard to discuss Crazy World without mentioning the experience of seeing it. As the final screening of TIFF’s Midnight Madness programme, the film was accom...
