It's New Year's Eve: Ben (Timothy V. Murphy) and Kat's (Elisha Renee Sutton) last night in Los Angeles before heading to New York. He's spearheading the move w...
Articulating why it’s easy to agree with writer-director Adam McKay’s politics while disliking his films isn’t so hard. Though a smart man who can hold his own...
Taking place over the course of one chaotic week during the production of sitcom staple I Love Lucy, Aaron Sorkin’s Being the Ricardos spins more plates than i...
Despite having premiered in 2019 with some subsequent updates, Alexandra Dalsbaek's documentary We Are Russia still feels as if it is a work-in-progress beyond...
West Side Story—a curious exception in the modern glut of sequels and remakes, with its powerhouse combination of hallowed subject matter and director—announce...
Directed by Marc Shaffer and framed with interviews by film historians, photographers, and actor Gary Oldman, Exposing Muybridge is a fascinating look at a fig...
This writer can’t really speak with authority on the Resident Evil game franchise—my only experience was putting down the Wii controller on the fourth installm...
Paul Thomas Anderson has always been fascinated with pretenders, with people who use their assumed gigs and personas as a shield for their own deep insecuritie...
At the center of Now Return Us to Normal is the desire to understand the trauma of so-called “wilderness schools," remote camps built around the shaky principl...
Upon sitting down to write about House of Gucci, I thought I’d open with a quote. There had to have been some line, however peripheral, that stuck. That wasn’t...
